We’re delighted to announce that we’ve commissioned former APO Young Composers Award winner Max Charles Davies to write a new work for our January 2017 concert. We gave the world premiere of Max’s concerto for orchestra, ‘The Mysterious Kiss’, in January 2010 – a piece rapturously received by orchestra and audience alike. In January 2012, Max supplied the finale for our ‘Sumer is icumen in’ variations with, ‘A very British summer prayer’, which brought together all the elements of the piece in a beautifully light-hearted way.
The new work will be presented alongside another new work by Max, ‘Tiny Symphony’. Max describes this piece as, ‘…a little musical portrait of my two-year-old son, Sebastian. But, it does also contain all the elements of a late-classical-period symphony in miniature: a sonata form first movement, a scherzo and trio, a slow movement, and a sonata-rondo finale. So it is quite literally a Tiny Symphony, about a tiny person, and because of its bite-sized proportions, gives a little flavour of what (at least this composer’s) contemporary classical music is all about, without being too long or intimidating.’ We can’t wait to perform it.
Max’s work replaces, at least temporarily, the #APOdances project and Sibelius’s Valse Triste, but fear not as they are now firmly penned in for January 2018 – and in an even more spectacular way – watch this space! Nicola Loten will still join us to perform Nielsen’s Flute Concerto, and the programme will still conclude with Tchaikovsky’s Symphony No.1 ‘Winter Daydreams’.